Who decide what we see? In the documentary Final Cut, Joeri Pruys reveals how fifty years ago, Marina Abramović’s very first performance in Amsterdam was censored. Now, Abramović is a superstar with a high-profile show in the Stedelijk Museum. But new generations of artists, like Basma al-Sharif, an artist with Palestinian roots, still face difficulties: misunderstanding, marginalisation and outright oppression. How do they make sure their work gets seen anyway, inside and outside the walls of a museum?